JRAD

There will be people there just for JRAD

Oh quit being so heady.



\mm/

Rehearsed "improv" does nothing for me

lol indeed

Not the same at all.
Noob.

Saving grace of work, I would go to more UM if there was no audio.

How is that reaching at all.
Also, Jimmy Stewart is rehearsed "improv"

Gerg and Wally slap fighting over UM, just like old times.

The band goes back to listen to their jams/stewarts to see if there's any good material (of which there is plenty, but they're picky) to use as a section for a new song.

Signals: there are lots step forward, back. (modulate up/down a minor third, I think) neck of guitar up, down (modulate up/down a whole step). wipe off (clean the slate) lean back (my personal favorite, go to previous section). hand over the head (return to the top of a jam, head of the song) hand signals to denote chord/key to change to. rub nipple (milk it. keep playing this section) fist at eye level (hold this groove)

this list is by no means all inclusive..."*



For the most part a Stewart is designed to have at least 2 separate sections. This is where it >really starts to get fun. And where UM really distances themselves from the pack. The >Bounceback jam. After leaving the first section (as discussed above) they'll move along to >wherever they go next (usually playing off the last outlying chord of the previous section). >Another sections is started, built upon, and repeated a few times. Now here's where the pure >beauty of it all comes in. When they get to the end of this 2nd section, instead of going back to >the top, you'll see Jake lean backwards. And instead of repeating section B again, they're now >back at A. Playing it even tigheter and with more flair than they did their previous attempt 3 >minutes before. Then another few runs through that, Jake leans back, and then they're back in >section B, playing it, again, better than they had before. So what they do, is build 2 unique >sections of music together, seperately.